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Good luck on your home recording journey! If you have any questions, or just want to make sure you’re enrolling in the right online course, feel free to get in touch with us at [email protected].

Elise Dewsberry’s “Singing Sixty Birthday Recording” campaign lacks a pitch video, but the project is as heart-warming as they come. She does a pretty good job of selling it, too.

Robinson McClellan is a composer, writer, and teacher. His music has been performed, commissioned, and published widely. He has done artist residencies at MacDowell and Yaddo and earned his doctorate in composition from Yale. He works in product development, user care/feeding, and instructional design for music and education companies. He founded and directs ComposerCraft, a workshop for young composers.

Target arts and culture grants

“Psycho”: After 15 weeks in the Top 5, this song finally made it to #1 for a week. Good going, everyone. The form here is pretty clear-cut; it’s almost a palindrome. It’s just that the two verses have our singers doing their own thing. Like, Post Malone does this isolated line for the second half of his verse, just his own thing not to be repeated. This song, combined with others in this study, like “Look Alive,” also illustrates how important the beat is in determining the subdivision of the tempo.

But Mitski (she’s much more impressive than Sum 41, not sorry) has a voice and quality in her music that feels super cathartic — it’s like she’s reading from your diary and releasing your demons for you. She’s also Asian-American, and I grew up with zero Asian-American musicians to look up to.

But keep in mind that no matter how much data these platforms offer, none of it really matters unless you actually make an effort to track it, analyze it, and then turn it into tangible action steps to grow your music career.

The first thing you’ll do is hop on the phone with your mentor so they can better understand what you’re hoping to accomplish and you can make sure you’re a good fit together. You can even do this right away, with no commitment to buy, by telling us about yourself so we can suggest a mentor. If you’re considering signing up but not sure if it’s right for you, give it a try!

All of our mentored online courses come with six weeks of one-on-one professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested in a topic covered by one of our courses, like Orchestration for Strings, Introduction to the Composer’s Craft, or The Creative Power of Advanced Harmony, or just to work with a Mentor directly to achieve a specific goal, we can help you get there.

Pbr can misprint

If you’re a songwriter interested in the legal grey areas of using other people’s music, check out our recent article on the basics of legally covering and sampling songs.

Because of their long, curvy waveforms, low frequencies experience phase attenuation more profoundly than other areas of the spectrum. You may want to high-pass your square wave so that it gives the bass line that extra grit without stepping on the feet of your sine’s big clear lows. Additionally, many producers like to make low-end seem fatter by using stereo widening effects. Use these carefully as the phase interactions between the low end of each stereo side can cause destructive interference. Use the mono/stereo switch on your DAW’s master track to check whether your low end survives when everything’s running through the center channel.

In Soundfly’s new course, The Art of Hip-Hop Production, you’ll learn the nuances of producing beats, arranging tracks, and creative sampling techniques.

I love both songs though. When I was growing up in the ’90s, there weren’t enough Lizzos in the world. The Spice Girls and Destiny’s Child had their own version of “girl power,” it came from a different place I think. But something about Lizzo’s execution is way more authentic, more believable, and more of what I want to rally behind right now.

Welcome to Flypaper’s editorial column, Talking Points, where we revisit a lengthy lecture or Q&A with the greatest minds in music composition and production, and elucidate the most interesting details or concepts to gain a fresh perspective on the topic in question. In other words, we’ll pull out the talking points. Follow along with the series here, or sign up for our Soundfly Weekly newsletter to get more music learning like this in your inbox every Tuesday!

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