New to Soundfly? All of our mentored online courses come with six weeks of one-on-one professional support and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested to dive deep into a topic covered by one of our courses, like Unlocking the Emotional Power of Chords, Songwriting for Producers, or The Creative Power of Advanced Harmony, or just to work with a Mentor directly to achieve a specific goal, we can help you get there.
Although I loved being a DJ, I wanted to go beyond the playing and really understand how music worked. When I turned 18, I had the opportunity to move to Madrid and study Sound Engineering and Production. Although very insightful, it still wasn’t enough — I was hungry for knowledge and wanted to understand how a DJ could connect with an audience, so I delved into the world of Musicology to understand how music affects and influences our brain.
It’s been a crazy journey, and the indie touring scene can be both amazing and awful. Stressing out about your next meal, tank of gas, or whether you’re gonna get kicked out of that Walmart parking lot is not always fun. But we’ve had some good times too, so here are a few ways to have more fun on tour (even if your livelihood doesn’t depend on it!).
How to search for grants
To get inspired, check out these eight music crowdfunding campaigns going on right now. Learn from their success and think about how you can apply their tactics to your next venture.
Decades before he was laying down the bass track for Daft Punk’s “Get Lucky,” consummate studio session man Nathan East was playing on hit records left and right. A song that is a little bit hard rock, a little bit R&B, done by a band that until then was sort of new-wave-ish, “Would I Lie to You” seems like a fitting way to end this list.
Let’s pretend that we have a guitar string tuned to play a note called middle C, which has a frequency of 1 Hz. (In real life, middle C has a frequency of 261.626 Hz, so if you want to think in terms of actual frequencies, just multiply all the numbers in the following paragraphs by 261.626.)
Like any new entrepreneur, songwriters may themselves experience cash flow problems and look for additional financing to keep the lights on. However, unlike businesses that have inventory to put up as collateral, songwriters have only their intellectual property and the royalties that property can earn. This limits the options from traditional banking sources and requires songwriters to seek out alternative funding that’s available as an advance against royalties or from selling some rights in exchange for quick cash.
James Brown’s Live at the Apollo, 1962 is a masterclass in showmanship and musicianship that transcends genre. From the Rolling Stones to Anderson .Paak, you can see the influence that The Hardest Working Man in Show Business has left with this album, this performance, and so many of his other albums and recorded performances (many of them back at The Apollo!).
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One of the questions I get asked most frequently as a professional songwriter is: “How do you stay inspired when writing every day?” And it’s a valid question — one with multiple answers!
Flypaper ran over 320 articles this year. Let the Soundfly staff navigate you through the best of the best in this list of our Top 5 articles from 2018.
It sounded straightforward at first — to complete this challenge you had to open up that sample pack and let the sounds guide your music — easy. But these sounds just happened to be so funky and exciting right out of the box that I began to realize the real challenge here was to make something unique and personal and interesting enough to stand up to that original material!
Take the next steps in your music career with Soundfly’s curated Hustle series of articles and popular online course offerings on topics like how to book a tour on a shoestring, how to get all the royalties you never knew existed, and how to let your fans fund your next music project! Use code FLYPAPERSENTME for 20% (that’s $100!) off any course on the site that isn’t free!
A mere mortal bass player might have connected the V chord to the VI- by playing the note in between the roots of each. But Paul McCartney starts the sequence two beats early, playing the root of the V and going down a half step before his three-note climb, resulting in a five-note run that fills out the entire gap in the vocals. Of course, little did I know at the time that this famous mop-top had gone on to be one of the most influential bass players ever.